Climate change photos, from new Union of Concerned Photographers
The earth is starved of trees
Wildlife is fading away
Our planet can’t take the heat
Cape Town is drying up
Oceans are drowning in plastic
Photography Luca Locatelli Union of Concerned Photographers
WeTransfer’s Union of Concerned Photographersuses the power of photography to underline the urgency of environmental concerns.
The world is getting hotter, and according to a huge report by 13 federal agencies in the US, humans are to blame.
One of the most characteristic symptoms of the time in which we live is the growing sense of loss of a better future, of a hypothetical tomorrow perceived as something promising and yet unknown.
This idea has progressively vanished from our horizon as the result of a multiplicity of factors. Growing political and economic instability, together with an ever more tangible ecological crisis, are trapping us in an eternal present made of anxiety and pessimism. In such a scenario and knee-deep in an era, the so-called Anthropocene, in which man’s activities have an increasingly direct impact on the precarious balance of the planet Earth, a double-edged role is played by technological progress.
For a long time, technology has represented the foundation upon which utopian visions of the future were built. Today, however, as never before, we are also becoming conscious of its dark side, of the damage it caused in the past as well as the risks implied in living in a highly technological world. Nonetheless, it seems inevitable that only through technology will it be possible to determine a positive progress for the future. But not without planning, investments and political commitment. The “production” of the future and the role that technological progress plays in it are becoming increasingly central topics in my photographic work.
More precisely, starting from a triptych of photo reportages undertaken in the last three years, I’ve embarked on a journey aimed at exploring and making visible the most promising technologic developments in confronting many of today’s pressing issues.
Starting with the challenges of modern cities in reducing their ecological footprint to the future of farming and the rise of renewable energies, my research focuses on building a vision of a plausible future in which the examined technologies are not only quickly growing but are also the outcome of a thorough analysis of sociocultural aspects as well as of economic viability and sustainability.
Although firmly rooted in reality, the images comprising these works could resemble shots from sci-fi movies. This effect is intentionally designed to induce a genuine sense of wonder, a moment of disbelief, which incites the viewer to better understand what is going on. This visual strategy, combined with a rigorous documentary style has multiple goals: make the viewer think, stimulate a critical debate about the current state of the Earth System and hopefully trigger a change of mindset that can bring people to restore hope for the future of mankind.
The Soviet-designed VVER-440/V-230 station lies in the Mecklenburg-Vorpommern state. After the reunification, all East German reactors were shut until they could comply with much stricter safety standards.
Deciding that bringing the plant up to scratch would be too expensive, the government closed it in 1991.
A flourishing park runs the entire length, forming the community’s Central Green Spine. It houses 11 biodome greenhouses, providing 3,000 square meters of urban farm land. Solar panels power the urban farm as well as the city’s street lights, electric car charging stations and sewage treatment plant.
These photographs were taken as part of an assignment for National Geographic which looked to document how this small country became a giant in the battle to propose high-tech farming solutions to grow more with less.